KERUI ZHANG

    Naturally,the third part is “back to the mirror”.It is about the inward nature of the things,the beginning point of intention.Here,of course it is not the end. All of the three parts as an entirety.It is becomes a loop,an eternal circulation.Different from the first chapter,I consider “the original” as a documentary evidence.It is more like a intrapersonal communication and empirical analysis.

    In a series of works“dream/documentary”,Through making deconstruction and reconstruction of dream,the work attempt to analyze the connection between the virtual reality--direct presentation--intuitionistic images.The dream is a reflection of real life,what happens in reality will be converted into something else in the dream,the original is hidden in it.I write down my dream almost realistically,then use the animation to reveal it.The stop-motion animation is base on my short writings.By symbolizing every thing in my dream into simple token,this animation reduce the narrative of dream itself.Without any hint, it is hard to re-describe that dream.

    Via the works“unexpected reflection”,I try to reinterpret word “origin”.Generally,the print has a original block with some scratches.Every work can be copy and reprint.In this work,every print is unique and can not be copied,because there is no nick on the plate.I put ink and water on the raw plate at random,then print it.There is no original plate,or,every one can have the original plate.I was fascinated by this uncertainty and getting joyful amazement from every print.Maybe it is a part of origin.