top of page

    In a series of works“dream/documentary”, Through making deconstruction and reconstruction of a dream, the work attempt to analyze the connection between the virtual reality--direct presentation--intuitionistic images. Allegory of the Cave by Plato dream is a reflection of real life, what happens, in reality, will be converted into something else in the dream, the original is hidden in it. I write down my dream almost realistically, then use the animation to reveal it. The stop-motion animation is base on my short writings. By symbolizing everything in my dream into a simple token, this animation reduces the narrative of the dream itself. Without any hint, it is hard to re-describe that dream.

  

"Dream 26.Oct.2016"

Stop-motion animation

Duration:00:00:58

 

A big iron circle floats on the sea,

I jump down from the sky.

The soft paper on the those lines holds me,gently.

"Dream 12.Dec.2015"

Stop-motion animation

Duration:00:01:13

 

To blow a ballon,even bigger than the reality.

It is enough to engulf me.

Everything becomes higher and smaller.

"Dream 05.Dec.2015"

Stop-motion animation

Duration:00:01:18

A man picks up a bowl in Krakow.

He puts water into it,countless balls appear.

"Dream 27.Nov.2015"

Stop-motion animation

Duration:00:00:50

 

Who swallowed the sea?A transparent prison in the forest.

The lingering smell of the sun light.

Slowly,slowly.

The reason will float on the water.

"Dream 26.Nov.2015"

Stop-motion animation

Duration:00:00:46

 

Two screens kick a ball.

The ball escape from the technology competition.

 

"Dream 13.Nov.2015"

Stop-motion animation

Duration:00:00:31

 

My arm has some holes.

The plants grow.

"Dream 20.Nov.2015"

Stop-motion animation

Duration:00:01:14

 

An environmentalist gives me a cake with the tree candles.

I blow out the candles.The fire burns all the forest.

 

"Dream 09.Sep.2015"

Stop-motion animation

Duration:00:00:43

 

A train tries to tear down a line of fake houses on the hill.

They disappear when the locomotive touches them.

All images and text © ZHANG KERUI 2025

bottom of page